oban, argyll and benmore

Scotto had a birthday recently and both our mums, knowing how much we both treasure presents that are experiences, rather than things, and remembering what it’s like to be away from family, gave him some money towards something that we’d love and remember in years to come- a fantastic daylong boat trip to Lunga and Staffa to see the thousands of puffins and other seabirds nesting on the tiny islands, as well as seal pups, amazing landscapes and the famous Fingal’s Cave!

We hired a car for a couple of nights and headed up to Oban, pitching our tent in the beautiful Sutherland’s Grove, a small forestry park with a towering stand of Douglas firs, some up to 45m and planted in 1870. We snuck in a quick walk in the twilight, soaking in the damp beauty of the place, before the rain set in. It continued all night and, although snug and dry in our tent, we woke up with a nagging suspicion that things might not be looking so bright for our day on the boat! Alas, the notoriously wet west coast weather had set in for a good few days and the tour was cancelled… SO sad. Still, there is a reason why Scotland is so beautiful and mossy and green and it requires giving up the expectation of reliable good weather and we’re getting used to that! So the puffin plans are on hold until next spring ; )

As we’ve already spent a bit of time in Oban, we decided to head down into Argyll Forest to have a wander through its stunning oak forests and rivers and to see if we could get to Benmore Botanic Gardens, a place I’d heard about and had been keen to visit… Benmore is a part of the RBGEdinburgh, a place envisioned for species of plants better suited to this wet coastline than Edinburgh; it houses many species of conifers and broadleaf trees from western USA, Asia and Europe and extensive collections from Japan, Bhutan, Chile and even Tasmania. A major drawcard to the gardens is the amazing avenue of Giant Redwoods which were planted here in 1863 and stand at over 50m…

Avenue of Sequoiadendron giganteum (Giant Redwood), Benmore Botanic Gardens, Argyll

Avenue of Sequoiadendron giganteum (Giant Redwood), Benmore Botanic Gardens, Argyll

Avenue of Sequoiadendron giganteum (Giant Redwood), Benmore Botanic Gardens, Argyll

Avenue of Sequoiadendron giganteum (Giant Redwood), Benmore Botanic Gardens, Argyll

And there are many other younger redwoods planted across the gardens, ensuring an ongoing population here- not that there is any expectation of the older specimens dyeing anytime soon as they can live up to 3000 years!

I always enjoy seeing species that I’m familiar with a very different habit to normal; this English Oak is growing amongst quite tall firs and spruces, which has encouraged the development of a tall, straight trunk with very little branching. And, interestingly, the bark on the lower branches is white and thin, almost like a birch and very unlike the grey, fissured bark usually seen on this species…

Quercus robur (English or White Oak)

Quercus robur (English Oak)

Acer palmatum

Acer palmatum

Benmore is particularly known for its rhododendron collection, not a genus I’ve been particularly interested in in the past… I’ve always found the highly hybridised cultivars that we see in Australian and UK gardens pretty gaudy and also very blobby in the landscape but here there were some beautifully slender silhouettes and really interesting foliage. I think I need to add it to next spring’s calendar as I suspect that the flowers on some of these may be much more subtle and beautiful than the ones I’ve seen before!

Rhododendron pachysanthum (Thick-flowered Rhododendron)

Rhododendron pachysanthum (Thick-flowered Rhododendron)

Layered rhododendron roots

Lovely layered rhododendron roots

It was a real treat for us to discover the Tasmanian collection and to wander through the eucalypts, cedars,  and southern beeches and to smell the lovely heavy fragrance of Eucryphia lucida, which is used to make our distinctive leatherwood honey… I miss the flora of Australia!

Eucryphia lucida (Leatherwood)

Eucryphia lucida (Leatherwood)

Eucalyptus pauciflora (Snow Gum)

Eucalyptus pauciflora (Snow Gum)

Dianella tasmanica (Tasmanian Flax-lily)

Dianella tasmanica (Tasmanian Flax-lily)

And the fernery… the subject of an 18-month project involving the renovation of the Victorian building that had fallen into terrible condition, the fernery is beautiful in and of itself but also forms a great method of display for its collection- I was really excited to see ferns growing all the way up the stone walls on protruding stones and plinths. The collection is still in its development stage and I think it will be an amazing and innovative display in years to come.

Unfurling

Unfurling

I love these millipede-like fern fronds!

I love these millipede-like fern fronds!

Such complexity in these structures...

Such complexity in these structures…

Soft new growth

Soft new growth

Beautiful mauve, fuzzy new growth

Beautiful mauve, fuzzy new growth

Doodia aspera

Doodia aspera (Prickly Rasp Fern)

The gardens are open from March 1 to October 31 and I’d really recommend including them in a trip to the west coast. If you’re interested in visiting and are also into walking, CowalFest, a local festival of walking and the outdoors in the first two weeks of October, is offering a number of walks combining the gardens with the surrounding landscapes.

dyeing with nettle, coreopsis, elder and logwood

Another group of newbies got a taste of natural dyeing a couple of weeks ago… as always, I was too busy setting up and then teaching to get any photos of the workshop itself but here are the results from our dye baths…

Samples of silk velvet, silk habutai, cotton and linen

Samples of silk velvet, silk habutai, cotton and linen

We worked with both protein and cellulose fibres and four plants that display some important  aspects of the dye process: nettle as a readily-available, weedy species with a strong affinity with different mordants; dyers coreopsis, a flower that is easy to grow and requires very little processing to extract its dye compounds; logwood extract for easy, quick colour and elderberry for its crazy colour response to pH change. (I’d also hoped to use iron to modify some of our logwood samples but had a scale malfunction and the samples were WAY too dark to show any further colour modification!)

Nettle on silk velvet, silk, habutai, cotton and linen

Nettle on silk velvet, silk habutai, cotton and linen

Nettle on organic merino, mordanted with alum, copper and iron

Nettle on organic merino, mordanted with alum, copper and iron

Nettle on organic merino on a series of different wool yarns, all mordanted with alum

Nettle on a series of different wool yarns, all mordanted with alum

coreopsis2

Dyers coreopsis on silk velvet, silk habutai, cotton and linen

coreopsis2

Dyers coreopsis on organic merino, mordanted with alum, copper and iron

coreopsis2

Dyers coreopsis on a series of different wool yarns, all mordanted with alum

logwood1

Logwood on silk velvet, silk habutai, cotton and linen

logwood1

Logwood on organic merino, mordanted with alum, copper and iron

logwood1

Logwood on a series of different wool yarns, all mordanted with alum

elder1

Elderberry on silk velvet, silk habutai, cotton and linen; we dyed extra samples of silk velvet and habutai and then treated them with acid (upper) and alkali (lower) in order to demonstrate the influence of pH on the colour achieved from anthocyanin-rich plants (middle)

elder1

Elderberry on organic merino, mordanted with alum + acid, alum, alum + alkali, copper and iron

As always, it was interesting to see how different fibres took up the dyes; I was particularly interested to try a yarn base with two strands of merino and 1 of superwash merino (third from the left in the bundle), as it is commonly thought that superwash yarns take up dye more readily and are less able to hold onto the colour over time. So it was fascinating to see that, while that proved true in this case, the degree of difference in colour uptake seems to depend on the dye! It definitely needs more work but it certainly looks like there is more difference in colour in the coreopsis sample than in the others…

And I was thrilled to get such strong blues on wool using the logwood extract, because dyeing with indigo, while a magical and essentially simple process, requires a lot more work to set up (and a bit tricky in an indoor rental space!). The downside is that logwood is not as colourfast as indigo but using an iron modifier will greatly improve fastness…Something to play around with more.

Logwood on organic merino over dyers chamomile

Logwood on organic merino (over dyers chamomile)

If you are interested in learning more about plant dyes, there are places available in my next class on June 19 at the Glasgow Botanics Kibble Palace; you can find more information through my shop.  And, bonus, here will be so many plants to try by then!

spring

Without us even realising, spring has arrived! After all the preparation for Edinburgh Yarn Festival and then the joy of the actual weekend itself (more on that soon!), it feels like I’ve now stopped to look around and everything has changed… the daylight lasts two hours longer than it did a couple of months ago, we all have a spring in our step, the tiny birds are out collecting for their nests and calling at all hours and there are green shoots everywhere!

Buds

Buds

Fresh green leaves!

Fresh green leaves!

Tiny bundles of larch needles

Larix decidua: European Larch

Cercidophyllum magnficum: Katsura

Cercidophyllum magnficum: Katsura

japmaple

Acer palmatum ‘Sangu-kaku’: Coral-bark Maple

We recently moved and are lucky enough to now overlook the river Kelvin (just a ten-minute walk along the river to the Botanics!) so those shoots are whispering promises of the green cathedral that will be on our doorstep in just a few weeks… and, although we are so excited about the idea of all that green, we can’t quite believe it will actually happen! I’m wondering if that is just because we’ve only had one spring here or if it is another expression of the human capacity to forget all but the physical state we are currently in? Perhaps part of the reason that the ancients performed midwinter rituals to recall the sun back to them was because they didn’t quite believe that it would return of its own accord! We haven’t been ritualising but we certainly have been willing the sun to come… For those who’ve grown up in cold climates, te’ll me, do you begin to remember the seasons as you see years pass?

The early spring flowers are certainly nudging us to remember the colourful beauty of last year’s warmer months…

Salix sp: Willow

Salix sp: Willow

cornus

Cornus mas: Cornelian Cherry

Gold

Forsythia sp.

Narcissus pseudonarcissus: Daffodil

Narcissus pseudonarcissus: Daffodil

Flowering currant

Ribes sanguineum: Flowering Currant

We were lucky enough to head out on Good Friday with one of Scotland’s great foragers, Mark Williams, to learn about recognising and harvesting wild foods which shows that, even this early in the growing season, there is plenty of stuff out and about!

I hope you’re enjoying the swing of the seasons, wherever you live xx

full circle

A belated happy new year to you! I hope it holds good things for you and those around you…

Gosh, I’d hoped to get back to this space a bit earlier in the year but we’ve had a bit of a slow start! I had a lovely, lovely trip back to Australia for Christmas- there really is nothing like being with family and close friends at that time of year and it was so great to be able spend some time with my dad who’s been unwell- that was the main reason I headed home again so soon after my trip in September but, thankfully, he’s on the mend so thank you to all who have asked about him.

After our first Hogmanay, Scotto and I headed up to Glen Lyon, a weirwood-ish glen in the southern Highlands, for a few days… A tiny one-room cabin with a wood stove and not much else meant we spent most of the time sleeping, reading, knitting, walking the beautiful glen, watching films (including the incredible The salt of the earth) and just reconnecting and recharging. Heavenly!

Sheep and fold, Glen Lyon

Sheep and circular sheep fold, Glen Lyon

And then, for the past few weeks, I’ve been pushing myself to get started making for the shop but, while I really do enjoy cold weather, I have found the short days a bit of a struggle- my body just wants to sleep! But I’m back into it and next winter will no doubt be easier ; ) We’ve been blessed with some sunny, rain-free days recently, which makes going out hiking so much more appealing, and even had some snow last week, our first real snow since we arrived!

Tobogganing at the Botanics

Tobogganing at the Botanics

Snowy rosehips

Snowy rosehips

Robin in the maples

Robin in the maples

So what does the year hold? If the last year was all new beginnings- a new country and culture to explore, a new business to build and new friendships and community to foster- this year is all about consolidating! It’s time to focus on what, of all the new, is most important, energising, viable and interesting. I’m so grateful for the incredible opportunities that have been presented to me- and there have been many- and I’m excited by so many things that I’ve felt my attention and energy go in many different directions which, again, has been so lovely but I just haven’t been able to keep up and so ended the year feeling a bit overwhelmed! My thoughts have also been at home with family, my dad in particular, and so I need to learn how to keep both my and their needs in perspective. So consolidation is the word of the year!

So what does that mean on a practical level?

  • I’ll be continuing the Harris Tweed and stranded colourwork joy in the shop but will be adding some lovely new things that I’m currently working on- so stay tuned there! As part of that, I plan to make a trip out to the Hebrides and to spend some time on Skye in summer. And I’ve also been adding some skeins of yarn to my personal dye experiments and am very excited to introduce some botanically-dyed yarn to the shop very soon.
  • I’m just finalizing dates for spring knitting classes at fluph, Ginger Twist and Queen of Purls but I have some classes at Ginger Twist over the next two Sundays, including one on Portuguese knitting! At this stage, there are some places still available- you can find out more here.
  • There will be more botanical dyeing classes at Glasgow Botanics this year too! I’m just locking in some dates but hoping for early April and mid-June… And I’m really excited to be getting my hands dirty looking after the dye garden at the Botanics! I can’t wait to get my hands in the earth…
  • I’m also super keen to meet more producers of wool and yarn and am planning to attend some lovely woolly events this year. I’ll also be teaching or selling my wares at some, including Unravel Farnham and Joeli’s Kitchen Retreat in February, and Edinburgh Yarn Festival in March and have my fingers crossed for Woolfest and Shetland Wool Week too… There are also field trips to visit sheep planned with lovely yarn friends Jeni, Leona, Louise and Mel : )
  • Scotto and I are really keen to make more of the incredible landscape here and so planning some good longer walks for the coming months- perhaps even some munros! And, having put on a bit of a winter coat during the last month of hibernating, I’m in dire need of a spring health boost so am excited to collect cleansing herbs in spring and am also on the lookout for a good yoga class- any suggestions?
  • I’m really keen to find some more space for personal knitting… especially some layers that are so essential in Glasgow! Patterns currently at the top of my queue include Lohman (minus the shawl collar in Rowan Scottish Tweed), Outi’s beautiful mittens (in Jamieson and Smith Shetland Supreme) for Louise’s Nature’s Shades KAL and another Pomme de Pin fro my favourite Amy Christoffers (in Shetland Organics 4ply).

So that is the plan for the year! As always, I know things will change in their way but I really hope to finish the year feeling that bit more grounded and solid in what I’m doing and that bit more connected to the place where we are living. I’ll keep you posted. What about your plans for the year?!

(Incidentally, it’s exactly a year today since we left Australia and so there’ll be a few posts over the next few days, encapsulating our first year in Scotland… special moments and things I haven’t shared to date, mostly because of time but perhaps also because it sometimes takes tie to recognise the significance of a thing. I’m looking forward to revisiting the year and hope you enjoy seeing some more of it too!)

faces and places: sariann and her wool project

Part of a series introducing some of the places and people we’ve come across since moving to Scotland. Some you may already know but, more often than not, they will be new to you. I hope you enjoy them as much as I do…

I recently had the chance to talk to Sariann Lehrer of Chopped Ginger about a project that she’s got going over the past few months…

A chef and cookbook writer, Sariann grew up on a working New England farm and then attended the University of Vermont, where she became involved in the local food and small agriculture movements and spent time working on a dairy farm. She’s also a keen knitter who, on moving to Scotland last year, was overwhelmed at the abundance of sheep in the countryside, the native sheep breeds, and the connection to agriculture that so much of the US lacked.

After noticing that there was a lot of focus on the end product of wool farming- that is, the yarns that we all love so much- and very little on the farmers who care for the land and animals that produce them, Sariann took the plunge and contacted small flock shepherds across the UK to launch the Wool Project. In her own words, the Wool Project “focuses on connecting knitters and the recipients of knitwear with where their wool comes from, the importance of keeping traditional small farming alive, and the integral role that we as yarn consumers have in saving heritage and rare breeds here in Britain”.

Sariann has bought 20kg each of fleeces from four different growers and is producing a small batch of yarn from each of them, to highlight both the value and beauty of each breed and the work that the individual growers are doing to sustain them as wool breeds. She launched the project a couple of months ago with her Wensleydale yarn, has just released a Teeswater yarn and will bring out both Gotland and Bluefaced Leicester yarns over the coming few months.

Sariann strikes me as the kind of woman who isn’t afraid to get her hands dirty or her heart broken, a good thing for the driver of a venture that many may say is too difficult in the current market. So many UK-based mills have closed in the last 20 years that there are few medium or large yarn companies still having their yarn spun here. But it is encouraging to see that there is a growing number of small fibre growers and individuals using specialist mills to produce small-batch yarns, enough to sustain a number of specialist processors and mills, such as the Natural Fibre Company and the Border Mill, who Sariann decided to work with. Her reasoning was threefold; the Border Mill is based nearby in the beautiful Scottish Borders, owners Juliet and John are happy to work with many different types of fleece and to process any quantity, from a single fleece upwards, and they specialise in alpaca fleece, which has long, smooth fibres similar to many of the breeds she is working with.

A little about the breeds and end products of the first two batches…

Chopped Ginger Wensleydale

The Fa’side flock was started by Susan and Ian Brash, with their purchase of three Black Wensleydale foundation ewes, and has grown to include a separate flock of White Wensleydale sheep. The Rare Breed Survival Trust lists Wensleydale sheep as “at risk” on their register, meaning there are between 900 and 1,500 registered sheep in Britain. Fa’side Wensleydales are meticulously bred and registered each year, with the hope of preserving and growing the breed.

The Wensleydale breed originated in North Yorkshire in the early 19th century with the crossing of a since-extinct, local longwool ewe and a Dishley Leicester tup. Unlike most sheep breeds, the lineage can be traced directly back to one ram, Bluecap, born in East Appleton, five miles from Bedale in North Yorkshire. Developed as a dual-purpose breed, Wensleydales still carry the characteristics of the founding tup: dark skin, excellent quality of wool and large size.

A separate register was started in 1994 for black lambs, and the number of registered ewes has been quite volatile, with 88 registered in 1999, which has since declined. The black wool colour is a double recessive trait and is impossible to predict within a white herd. Historically the dark lambs were culled to avoid contaminating the valuable clip with their dark fibres. However, these unpredictable black lambs from white herds have become a valuable resource for the small number of Black Wensleydale herds, as they widen the gene pool and lessen the likelihood of inbreeding.

Wensleydale fibre is very strong but soft, lustrous and especially beautiful in its naturally coloured forms. Yarn made from it has lots of drape and silkiness and, although it develops a slight halo, shows up texture well.

Fa'side Castle and Wensleydales

Fa’side Castle and Wensleydales

Wensleydale Grey

Chopped Ginger Wensleydale Grey

Chopped Ginger Teeswater

Tunstall Teeswaters are a small but dedicated breeding farm, located in Captain Cook country, with one aim- to keep the Teeswater breed alive and to help remove them from category 3 (vulnerable) of the Rare Breeds Survival watch list. When the small flock was started a number of years ago, the breed was at category 2 (endangered) on the RBS list, so the Tunstall shepherds like to think they have gone some way towards achieving their aim. Today Tunstall-homebred lambs are located as far south as South Devon and as far north as Aberdeenshire.

The Teeswater breed is descended from longwool sheep brought over to Britain during the Roman invasion. Initially, they were used to crossbreed with the highland and hill sheep to create larger, fatter sheep suitable for lamb production on gentler, more fertile land. There are records of Teeswaters being exported to Tasmania, Australia, in the early 1800s and they were also bred into Leicester Longwool flocks to improve the breed. When Teeswater ewes were crossed with the Dishley Leicester Longwool ram named Bluecap, the offspring were the origins of the Wensleydale breed. With the rise of the Wensleydale sheep, Teeswater numbers began to decline, until the 1920s when the breed was nearly extinct. The Teeswater Sheep Breeding Association and the Rare Breeds Survival Trust have worked hard to keep the breed alive, supporting farms like Tunstall Teeswaters to ensure that Britain does not lose this historic breed.

Teeswater fibre is incredibly lustrous, strong but soft and has extremely long fibres of up to 30cm. Yarn made from it has the sheen of silk and lots of drape and shows up texture well.

Tunstall Teeswater

Tunstall Teeswater

Tunstall Teeswater

Tunstall Teeswater

Teeswater

Chopped Ginger Teeswater

You’ll have to wait a couple of months to see the next instalment of Chopped Ginger Wool but here is a sneak preview of one of the handsome sheep contributing to the next batch…

Griffin, the Pedwardine Gotland

Griffin, the Pedwardine Gotland

Sariann has been really pleased with the results of the first two batches; the lustre and smoothness of both Wensleydale and Teeswater fibres have been highlighted by the processing and spinning and the resulting yarns are smooth, strong and drapey… I’m really looking forward to seeing what projects these beautiful yarns inspire. Sariann’s aim is to eventually buy the entire clip from some of her growers, thus ensuring the continuation of their flocks and an ongoing supply of these beautiful fibres.

As for what I’m going to do with mine, I think I’ll stockpile it until all four are released and then use them together… perhaps a striped shawl?!

You can find out more about the project and buy Sariann’s beautiful yarn at Chopped Ginger and at Ginger Twist in Edinburgh.