Category Archives: plants

winter road trip

My dad and I drove over to South Australia on Monday, mostly to pass on some photos and stories collected last year in Scotland; his family had emigrated to Australia from Perthshire in the 1850s and he’d never been there, so when I headed over for Knitcamp last August, he decided it was time for a visit. We did some wandering around their old stomping ground, not anything as serious as genealogy but just getting a feel for the place and for what they would have been leaving behind.

Ruthven barracks, Kingussie, Scotland

Anne McArthur of Wrattonbully, SA, has been researching and writing a book on this branch of the Robertson family (Scottish sheep farmers who came out and settled in SA, made lots of cash running sheep and then drank it all away!) and so was interested to hear about our time there. We were lucky enough to see her property in full glory, as her kitchen window looks out over a massive swamp, which had been dry for so many years because of drought, but is now full of water and life. Sadly, no photos- but it was magnificent and very like this!

On our way back, we spent a night at the Royal Mail in Dunkeld- a lovely splurge. I’ve not spent much time in hotels but this is a lovely one; great design, sensitive layout and incredible food and, I think, especially interesting for travellers because it is directly connected to the surrounding landscape of the Grampians ranges…

Frosty morning; Mt Sturgeon, Grampian Ranges

The hotel is the kick-off point for big or small walks through the area…

Boardwalk; ancient Redgum walk

But I have to admit that I didn’t get much further than the gardens surrounding the hotel- local and Australian flora everwhere! I was especially excited to see so many different banksias flowering…

A new Grampians Banksia flower; Banksia saxicola

New flower on furry prostrate stem; Banksia blechnifolia

Wonderful new flower; Bankia prionotes

Totally 1970’s; Banksia prionotes

And yesterday morning, we woke up to a very heavy frost, something I don’t see very often so I was pretty excited! Dad’s car was blue with ice.

Ice on car roof

What looked like this the night before:

Hoary Sunray going to seed; Leucochrysum albicans 

was now tucked up protecting itself…

Hoary indeed; Leucochrysum albicans

And my dad got some good use out of the scarf I made him- doesn’t he look dapper?!

Dad wearing circles and rods scarf; Royal Mail

Blues and rust-reds

We took a longer route home so that we could stop at Tarndwarncoort to visit Wendy Dennis and her woolroom. The Dennis family developed the Polwarth breed of sheep at Tarndwarncoort in the nineteenth century and the family continues to run a flock of over a thousand Polwarths today, providing reliably beautiful coloured and white Polwarth fleece, tops and yarn for handcrafters. I’ve knitted her 4-ply silk/ wool yarn before and loved it so was really keen to learn more about what she is doing and also to try running the yarn through my knitting machine…

Coloured and white fleece

Premium Polwarth fleeces; Tarndwarncoort

It was inspiring to talk with Wendy, an wonderfully committed, generous and resourceful woman who is visibly knowledgeable and passionate about what she is doing. She spoke about the beauty of the Polwarth- its lovely softness, bounce and long staple (a good introduction to spinning fine wools because of the fibre length)- and the joys and challenges of her operation, the major challenge being the dwindling number of local scours and mills able to produce a high quality product for a relatively small operator. This situation means that, despite being so close to Geelong, a town built on wool and its processing, Wendy now has her yarn spun in New Zealand, which is reflective of the way so many industries operate these days. Crazy!

8- and 4-ply silk/ wool yarns

The woolroom is housed in an old garage and cider house and is full of atmosphere, a great place for the workshops and regular craft meets that happen here… I also discovered a spectacular collection of books on knitting and other woolcrafts!

Woolroom; Tarndwarncoort

Craft room; Tarndwarncoort

This place is so worth a visit- you won’t be able to resist the softness of the Polwarth and the enthusiasm of its owner! As well as Polwarth yarn and fibre, on sale are the full range of Landscape dyes, Majacraft spinning wheels, spindles and other spinning paraphernalia, handspun yarns, soap made from Polwarth milk and lots more… In the depths of winter, it is best to make an appointment to visit but during the warmer months the woolroom is open from Friday to Sunday.

winter activity

It’s a grey, drizzly day, the kind that makes me want to stay in my pyjamas all day and cook warm, gooey food. But I needed to go and have a look at a garden I am working on and so rugged up and headed out- the upside of having my car irrevocably damaged in a car accident last week (luckily no one was hurt!) is that I have been walking a lot more! I see so much more this way and, on the way there and back, was reminded how active Australian plants are in winter. Unlike many species coming from cooler parts of the world, our flora does most of its flowering and seed-producing in winter and spring, I imagine in order to avoid risking everything in our often harsh, unpredictable summers. They do what is required in order to sustain the life of the species in the cooler months and then sustain their own life by going into a semi-dormant state over the hottest part of the year! This habit is particularly true for trees, such as our iconic eucalypts and acacias:

Soft pink and grey-green; Eucalyptus sideroxylon

Spectacular flowers; Eucalytpus caesia

Peeling bark; Eucalyptus caesia

Flowers and buds; Eucalyptus

The first of thousands of flowers; Acacia acinacea

Golden rod flowers; Acacia longifolia var. sophora

Petals fallen, leaving behind globular fruit; Agonis flexuosa

Huge orange inflorescences; Banksia spinulosa

Detail; Banksia spinulosa

Other smaller species are also winter-flowerers- or flower more prolifically at this time of year than in the warmer months:

Vibrant winter colour; Hardenbergia violacea

Our own fine and less showy species of clematis; Clematis microphylla

Given how much rain we have already had and the number of flowers around, I imagine that there will be a lot of seed produced this year- which is great news for growers after the last few years of very poor seed availability… and if you need any plants and are inclined towards the indigenous, try VINC in Fairfield. It is a great, community-run nursery producing great-quality stock and the staff are really knowledgeable about our local flora.

lovely and wild

I’ve been thinking a lot recently about the way I look at plants. I think I was lucky, really, in studying the medicinal uses of plants before training in horticulture, because it meant that I was able to appreciate the greater scope and uses for a plant, regardless of where it came from. Some of my hort mates got a bit hardline; weed vs landscape plant, indigenous vs exotic and the rest… which is understandable, after you’ve dug up your thousandth oxalis bulblet of the morning. But, even during the time I worked in indigenous landscape regeneration, I never really hated certain plants in that way. I don’t think I could hate any of them. I know how delicate the balance of our ecosystems can be and how under-resourced our departments are- and maybe it’s the wafty dreamer in me- but I still get excited about the potential of all of them.

Take this one, for example:

Discapus fullosum; Fullers Teasel

This is Fuller’s Teasel, from the term ‘fuller’, someone who used the dried seedhead to comb out wool, and is also known as ‘brush and comb’ and ‘Johnny-prick-the-finger’ for its spiny stems. Even today, a cultivated variety of teasel is used in the textile industry in the manufacture of cashmere and velour fabrics. Teasel is also called the herbal ‘fracture healer’ for its ability to help heal broken bones and sinews and is used to promote energy and blood circulation and as a kidney and liver tonic. It is also used in floristry because of its amazing architecture.

Corolla; teasel

Noxious weed in Australia? Yes. It spreads copious seed and competes with indigenous herbs, grasses and small shrubs. But a horrible plant? Not in my book.

Another problematic weed is the exotic-looking Red-Ink Pokeroot, an escapee from tropical America that has become naturalized in parts of Australia.

Phytolacca octandra; Red-Ink Pokeroot

Fruit

Like all pokeroots, the leaves and berries of this species are reported to contain toxins that are poisonous to mammals (such as Australian wallabies) but not birds, who unfortunately do a great job of spreading the seeds through bushland. So not a great plant to have in Australia… unless you are interested in dyeing- First Nations people and early white settlers of the Americas used the strong red-blue pigments found in its berries as ink and textile dye (and, interestingly, some species of pokeroot, such as Phytolacca decandra, have been found to have medicinal actions- but beware of experimenting, as extreme care is needed due to the toxins found in the plant).

And the list is long- all those plants that have arrived in Australia at various times… species that had proven themselves so important to our forefathers and mothers in other places that they were nurtured on the long voyage over in Wardian cases and the like- or seed caught inadvertently on someones boot that survived the journey and flourished once here. So many of them, plants like St John’s wort, mullein, fennel and hawthorn, are problematic weeds here but have so many properties that we can make use of, be they medicinal, dye-plant or other… if only we can see the plant as more than a weed.

Seedhead; Foeniculum vulgare

It has been a joy and an education to see some of my beloved medicinal and food plants in their own habitat- or somewhere where they are have been so long that they are simply appreciated as a plant, rather than vilified as a weed. It takes the pressure off, knowing that I can just enjoy them, rather than feeling torn about whether or not I “should” be. Peppermint in the forests of British Columbia, raspberries and red currants at New Lanark, bilberries and devil’s bit scabious in Perthshire. Just magic.

Succisa pratensis; Devil's Bit Scabious

But I’d also like to make use of those plants that are here, where they shouldn’t really be, to celebrate them as a resource and to do my tiny bit in reducing the problem. So I’ll be heading out more often and wildcrafting what I can find for dyeing and medicine making. A few of us are also starting a natural dyeing group and will be getting together once a month to play around with dyeing using materials that we collect over the month. It should be a wonderful adventure and will no doubt present more challenges that any of of us anticipate. Come along if you’d like!

shilasdair

I rolled my ankle this morning… which means that I am on the couch for the day, instead of my normal Friday activity of helping introduce people to yarn. I’ve been meaning to write about visiting Shilasdair for ages and today is as good a day as any.

Started in 1972 by Eva Lambert at Waternish, on the north-west coast of Skye in Scotland, Shilasdair is one of only a few yarn producers that I know of that rely entirely on natural sources of dye for their production- an amazing thing really, considering the notoriously fickle nature of natural dyeing- and, let’s face it, all small-scale dyeing. Eva and her family moved to Skye from London in the early seventies; sleepy Waternish is now part of the Skye tourist trail in the summertime but it must have been really remote back then, a perfect place if you know what you want to do and have some skills to start with, I guess, but her strength of vision is quite amazing to me.

Looking out from Waternish towards the Western Isles

It must have been a wonderful, gradual process, the development of her dyeing skills and practice, that are now so developed and coveted that the shop has passed on to a new owner, Judy, and Eva is now busily dyeing much larger quantities of yarn to be sold far away in London and beyond.

Barn and shop hand-built by Eva’s husband Tony, from stone reclaimed from earlier buildings on the site

Eva has developed a palette of dozens of rich and subtle colours through the use of just a handful of dyes; some, like tansy and meadowsweet, she sources from her own dye garden and from the surrounding landscape and others, like madder, indigo and logwood, come from much further away. Various mordants are used, yielding different colours and shades from the same dyebath, but, more unusually, yarns are submerged in one, two or even three different dyebaths in order to create shades not normally available in natural dyeing, such as greens. This technique, known as top dyeing, in combination with extremely soft water, is what has allowed Eva such a wide range of colours in her yarns.

Madder, indigo, cochineal and logwood

Tansy and meadowsweet

Dyed samples

The influence by her travels and study in fine arts is obvious in the range of designs for garments, mainly jumpers, designed by Eva and her coworkers. They are available as kits or ready-knitted by local craftspeople and really demonstrate the beauty of the textures and colours of her yarns.

Jumpers designed by Eva, Judy and Linda…

My favourite

I knew, even before I got there, that some Shilasdair would be coming home with me ; ) Sadly, Eva’s 4-ply shetland is no longer available- it was phased out in favour of more luxurious yarns that sell better- but I fell in love with this 4-ply blend of British wool, angora and cashmere.

Meadowsweet/ weld/ indigo, tansy/ indigo, and cochineal

And, cast on and knitted on the flight home, here is what I made with it…

Gypsy shawl

Soft halo; deep colours

Also ravelled here. The pattern is the wonderful, much-loved Andrea’s Shawl from Kirsten Kapur- I thoroughly enjoyed both pattern and yarn… which is lucky because I think I’ll be reknitting it! It came out super-small and, as a result, has never taken its place in my daily wardrobe- which is too great a shame for yarn so lovely. I might take it along to Knit Camp to frog over a cuppa…

Do go and check out this wonderful yarn and the dyer who creates it- she is amazingly talented, knowledgeable and committed to her craft. And I think that her yarns are really coming into their own with the current embracing of semi-solid yarns (where small dye lots and variances in colour are seen as a positive quality) and the ever-increasing interest in sustainable production practices, such as responsible natural dyeing.

australian garden

After a few days lazing about at home (not camping as we had hoped but, instead, watching beautiful films and knitting) we actually managed to catch the final day of the Eucalypt Festival at the Australian Garden in Cranbourne today! I’ve been meaning to get back there after visiting with uni just before it opened- and, in my book anyway, any festival celebrating trees is a reason to get out into the sunshine…

Buds

Opening

Unfurling

Uncurling

Full glory; riotous colour

The garden is an ongoing project within the Royal Botanic Gardens Cranbourne (the arm of the RBG dedicated to all species native to Australia) and will eventually cover a huge total of 20 acres- all exploring the hugely diverse and striking flora of Australia. That is exciting enough in itself but what makes this project even more exciting is the format for the garden; it is one of a number of gardens here (like the Children’s Garden and Wigandia) that I find really beautiful and intriguing, not only because are they completely in keeping with our larger landscapes, but because they are engaging, innovative and adaptive.

Entry to the garden; the big red heart of the continent

Stage 1 of the garden was opened to the public in 2006 and marks the beginning of the visitors journey through the garden, encompassing the red desert that forms the heart of Australia (in a giant piece of art comprising of red earth, saltbush and curving sand dunes) and the birth of a river in the gorges and caves of the desert and its journey towards the coast and ocean. The garden is grounded in the plant world but is also full of metaphor, history, culture and education, which I think makes it accessible and enjoyable for many more people than just plant nerds like me ; )

Allusions to desert salt lakes and scrub?

A hundred thousand plants, from over thousand species, were planted just in Stage 1 alone, including a thousand mature trees, the oldest of which- Xanthorrhoea or grass trees have been alive for nearly half a millenium.

Grevillea flowers

Yellow Kangaroo Paw; see bottom right for likeness to its namesake

Senna artemesioides

Acacia cardiophylla growing its little flowers

Leptospermum fruit; 12mm diameter

Banksia sp.; amazing geometry

The numerous different areas within the garden are divided quite formally and tap into themes of innovative and interesting uses for Australian plants, water management, our human need for gardens and what they represent to us and Australia’s botanical history, both before and after white settlement.

Although the design incorporates strong, straight lines in parts, my overriding impression was of curves; the shapes in the garden remind me a lot of Roberto Burle Marx‘s work- a pleasure for me because I really love his gardens.

Curves of grey foliage

Lovely hedge shapes

In the four years since my last visit, the garden has grown up a lot! The trees have started to enclose and divide different areas and create shade and shelter, and most plantings have established themselves successfully, although the fluctuations in temperature and rainfall has meant that a few areas are in need of some rethinking. I was amazed to learn that one person was (is) responsible for the enormous job of plant selection- wow.

Stage 2: BIG construction site

Stage 2 is currently under construction and should be completed by early 2012. I can’t wait to see what they’re creating in there…

We also had the good fortune to meet some wee creatures….

Bearded dragon

Thorny belly; foot in pocket

One juicy stick insect! See her vestigial wings crossed over?

I have never worked out if I am a ‘big picture’ person or a ‘details’ person… but writing this blog is gradually bringing to my attention that I almost always notice and take photos of the small things. I guess I must be a ‘details’ person after all… so I apologize for the lack of perspective shots of this incredible garden- you’ll just have to visit the garden yourself : ) And I’ll try to remember to step back a bit next time I visit.

Beautiful eucalypt buds