Category Archives: plants

ratanjot

Ratanjot is the Hindi name for a number of plants in the borage family (including Alkanna tinctoria or alkannet) traditionally used for colouring textiles, food (such as rogan josh!), vegetable oils, wines, medicines, cosmetics and varnishes. It is currently used as a red food colouring agent (E103 or alkannin).

The species most commonly used in India (where this plant material came from) is Arnebia nobilis, which is imported from Afghanistan. The purple-brown roots, twisted roots are covered in a papery bark from which the dye is extracted. Dark red, purple and browns are the most typical colours achieved.

Two methods were used:

Dyebath 1: powdered ratanjot mixed with alcohol and left for an hour to extract colour.

Dyebath 2: powdered ratanjot mixed with cold water to form paste and left overnight.

Warm water was then added to both preparations and both were brought to the boil and then down to simmer. Pre-mordanted yarn and fibre were introduced into both baths and left at 80c for approx 1 hour.

The yarn and fibre in dyebath 1 with alcohol all came out brown, whereas those in dyebath 2 came out soft shades of purple, mauve and aubergine. Ratanjot seems to be light-sensitive; the colours intensified and moved towards purple when the freshly-dyed skeins were exposed to sunlight. Next time, I’d like to see how pH affects the colours achieved; apparently, using an acidic vinegar afterbath results in pinkish shades, whereas and alkaline ammonia afterbath results in greyish blue.

Ratanjot on wool/ silk yarn: dyebaths 1 and 2

Ratanjot on cotton cloth

soursob

Apparently, this is the year to get your neon yarn on…

Soursob on cotton

Solar-dyed, using a handful of soursob (Oxalis pes-caprea) flowers in a jar and adding boiling water and a skein of unmordanted cotton yarn. Left for 7 days on back deck in weak, late-winter sun.

I was very surprised how much colour the yarn took up, given that no mordant was used; it is much brighter than in the photo but I couldn’t capture the colour. Need to test for light-fastness.

I think I’ll dye the other 2 skeins I have (maybe grey or indigo) and use them together  to crochet a shopping bag…

red onion

Results from dyeing session at the guild. Skins soaked overnight, then simmered for 30 minutes.

Red onion on wool/ silk

From left to right:

Premordanted with alum and cream of tartar, dyed in pot for 30 min, copper after-bath

Premordanted with alum and cream of tartar, dyed in pot for 30 min, vinegar after-bath

logwood

After dyeing with logwood at the guild last year, I ordered some chips from a tapestry weaver in Sydney; recommended by my dyeing teacher, apparently he imports plant dyestuffs to dye all his own threads (wow!) and then sells what he doesn’t need. My friend Mel has very generously shared with me a pack of Renaissance dye extracts that included some logwood… so there has been a couple of dyeing sessions to see what colours could be achieved using the two different sources.

Almost all skeins were pre-mordanted with alum and cream of tartar and I didn’t use any mineral modifiers (such as iron), although the enamel pot I used when dyeing with the extract has a chip in it so I think I may have added some iron into the water that way. Next time, I need to do two batches, one in that one and one in another, to compare results. Some of the yarns I used had previously been dyed with other plants and this has just reconfirmed for me that overdyeing gives some of the most interesting and beautiful colours!

Logwood on wool

From back to front:

Pre-mordanted with alum and cream of tartar, dyed with chips for around 40 minutes

Pre-mordanted with alum and cream of tartar, dyed with extract for around 40 minutes

Pre-mordanted with alum and c/t, dyed with extract for around 30 minutes

Pre-mordanted with alum and c/t, dyed with extract for around 20 minutes

Logwood on wool and wool/ silk

From left to right:

Wool/ silk, pre-mordanted with alum and cream of tartar, dyed with extract for around 20 minutes

Wool/ silk, pre-mordanted with alum and c/t, dyed with extract for 30 min

Wool/ silk, re-mordanted with alum and c/t, dyed with chips for 40 min

Superwash wool, pre-mordanted with alum and c/t, dyed with chips for 40 min

Shetland, pre-mordanted with alum and c/t, dyed with chips for around 40 min

Logwood on wool/ silk

All were dyed with chips for 40 mins

From left to right:

Unmordanted, previously dyed with soursob (Oxalis pes-caprae)

Pre-mordanted with alum and cream of tartar, previously dyed with rosemary

Pre-mordanted with alum and c/t, previously dyed with Eucalyptus cinerea

Pre-mordanted with alum and c/t

Lovely colours, aren’t they? Despite not being that into purple, I’m really looking forward to using these…

indigo and alizarin

The final guild dyeing session for the year was focused on indigo and alizarin- so exciting! I’d been reading about the process of dyeing with indigo and the various methods of removing oxygen from the bath in order to allow the dye molecule to bond to fibres and wondering which we’d use- and it was the hydrosulphite vat method and powdered indigo, as it is the most easily replicated at home. Only slightly less exciting than extracting colour from the fresh plant itself, it really was as magical a process as I was imagining.

Some people dyed fabrics….

Simple pole shibori

but, for most of us, it was all about the yarn.

Jessica dip-dyeing handspun yarn

Not only undyed yarn though- wonderful colours result from overdyeing, especially using indigo over all the yellows and pale greens that are much more commonly achieved with closer-to-home plants- even I had quite a few of those, even though I haven’t been dyeing long…

Wendy's lovely ovedyeing

Despite being a little patchy, I am so happy with my results : )

Wool/ silk: indigo

Wool: from front- indigo, indigo over mint basil, indigo over ironbark

We also dyed with alizarin, which is the dye compound from madder. It has been commercially synthesized for industry use for many years and will be an interesting comparison to dyeing with madder root itself, something in the works for very soon. The resulting colour is a beautiful, subtle coral that is hard to capture!

Wool/ silk: alizarin

Wool/ silk: alizarin, pale exhaust bath

The guild group and teacher Robyn have such a wealth of experience and information- and are so willing to share it. And all for $4…