Category Archives: plants

capeweed

While out at Discovery Bay last weekend, I got a bit obsessed with photographing Capeweed (Arctotheca calendula), an environmental weed on mainland Australia. Capeweed is found in areas of habitation (gardens and lawns), among agricultural crops and pastures and in conservation areas, displacing ephemeral native species, harbouring pests that threaten indigenous species and posing a threat to the integrity of plant communities and the survival of threatened species in these sites.

So why photograph it? As soon as I got up close to this garish flower, I caught a glimpse of a much more subtle beauty. I often think that, if we can see beyond the context of our understanding of this and other species as weeds, we are able to simply observe them for what they are.

And also to learn how and why it is able to spread so successfully. It’s hard not to be amazed by the strategies of nature.

From budding to withering…

1: Bud

1: Bud contained within juicy, feathered bracts

 

2: Petals tucked in

2: Bracts retract to reveal the “petals” neatly tucked in. Daisy flowers are actually inflorescences or groups of  florets; the outer ring of petals are ligular florets with a ligule or strap that looks like a petal.

 

3: Petals unfurl

3: The ligules unfurl

 

4: Opening

4: Opening to reveal the inner tubular florets

 

5: Open

5: Open for pollination

 

6: Outer ray flowers gone and

6: The falling of the tubular florets reveals a tangle of wool that surrounds each cypsela or fruit

 

7:

7: Fluff

 

8: Star-like

8: The star-like floral attachment points resemble Venetian glass beads

 

9: The pappus becomes more and more fluffy in order to catch the wind for dispersal

9: The woolly cypselas become increasingly fluffy in order to catch the wind for dispersal

 

10: Fuzz

10: Ready for dispersal

 

12: Achene (or fruit) starting to be dispersed

12: Cypselas dispersing

 

15:

15: Subtle colours… this woolly covering attracts moisture, creating a little germination bed and increasing the chance of survival of the seeds inside, once on the ground and ripe.

 

14: Matrix

14: Dispersal reveals a beautiful receptacle

 

14:

15: Remains of the tubular florets that ring the receptacle

 

16:

16: All parts weather and brown

 

17: Beauty

17: Beauty in senescence

 

 

discovery bay

We recently spent a weekend camping with friends at Discovery Bay Coastal Park in the west of Victoria, an area with abundant history and natural beauty.

We went for a hike in an enchanted forest of moonah trees…

Walking

Walking

Moonah forest

Moonah forest

Lichen and mosses abound in the Enchanted Forest

Lichen and mosses abound in the Enchanted Forest

Spider

Perfect web

Rockwall

Rockwall

And visited a surreal landscape originally believed to be made up petrified trees but now recognised as the result of mineral erosion…

Lunar scape covered in Leucophyta brownie

Lunarscape covered in Leucophyta brownii

Pillars

Pillars

Small pillars

Small pillars

Tree trunk shapes

Tree trunk shapes

Eroded pillars

Eroded pillars

Blue sea

Blue sea

Waves at the Blowholes

Waves at the Blowholes

Discovery Bay is known for its huge sand dunes and we were keen to get among them.

Dune walking

Dune walking

Sand dunes

Sand dunes

Reeds

Reeds

Scotto on the dunes

Scotto on the dunes

Not much speed but lots of fun

Not much speed but lots of fun

It was a weekend of chats, fires, walks and discoveries. And lovely time with good friends, including this sweet little man…

Determined to carry his own things

Determined to help!

And I had some time with my camera…

Kunzea leaves

Kunzea leaves

Kunzea flowers, which become muntries, a bushfood with a spicy apple flavour

Kunzea pomifera flowers, which become muntries, a bushfood berry with a spicy apple flavour

Kunzea

Kunzea

Pimelea

Pimelea

Polygala myrtifolia- weedy but spectacular

Polygala myrtifolia- weedy but spectacular

It’s a very beautiful area to spend time and well worth the five-hour drive from Melbourne…

purple carrot revisited

I recently dyed with purple carrots for the third time and got such different results from the first and second times that it got me reflecting on the variables that might have led to those differences… which I thought some of you dyers might have some thoughts on or just find it interesting. Can you see what I mean?

Varying results

Varying results

The two balls to the bottom right were my first experiment; this is Shetland yarn reclaimed from a jumper, mordanted with alum and cream of tartar and dyed with a bottle of out-of-date organic purple carrot juice someone was throwing out. I thought I’d have a try so I topped the pan up with warm water, added the yarns and slowly raised the temperature to around 70C, held it there for around 45 minutes. I loved the dusty pinks it produced…

Heat-dyed

Heat-dyed

Then I moved on to fresh carrots, the ones that aren’t just purple on the outside (they don’t give you any real colour) but that are purple-black all the way though. I put them through the juicer and then added the pulp back into the juice and divided it in half; it seems that juicy materials like berries, vegetables and soft roots give clearer colours without too much heat so I had an idea that solar dyeing might be a good approach to take. I divided the goopey juice in half and put half in a saucepan with a skein of organic merino yarn, again mordanted in alum and CT, slowly raised the temperature to around 70C and held it there for around 45 minutes. The first skein in the photo below was the result of heating: mauve- grey.

I then poured the rest into a big glass jar with a skein of the same and another of reclaimed wool/ angora, added enough warm water to cover the yarn and left the jar in the sun on my black compost bin for two weeks. Over that time, we had a few days around 25C but plenty of overcast days so the jar wouldn’t have got super hot. The second and third skeins were the result of solar dyeing: bright purple and mauve!

First solar dye

First solar dye

And then, recently, I rediscovered some old purple carrots that I’d bought to have a play with but had never gotten around to using; despite being a few months old, they were still fine, just a little hairy! Like before, I juiced and recombined them and repeated the solar process but, this time, left the juice outside for a week before I added silk fabrics, wool/ silk yarn and white and grey yarn (as always, mordanted with alum and CT). I then left the jar for a week, with similar temperatures to last time.

After one hour immersed in the liquid, the silk velvet looked crazy pink:

An hour after adding fibre to the jar

An hour after adding fibre to the jar

The silk fabrics and yarn were all a beautiful dusty pink after a week but the white and grey wool picked up NO DYE AT ALL! What is that about?!

Second solar dye

Second solar dye

I know that certain dyes have affinities with particular fibres but I’ve never seen wool not pick up any colour where silk has. And, from the first solar dye, I know that wool will pick up purple carrot. The fibres were all mordanted together. So, to me, the only variables are the silk and the fact that the fibres weren’t added straight to the jar. Is it possible that the silk absorbed the dye compounds so quickly that the wool didn’t have a chance? Seems unlikely to me… So could the week between processing and adding the fibres be the reason? It makes me want to dig out my chemistry books and find out what could possibly affect the structure of the dye compounds to lead to this?

I’d love to hear any thoughts!

And, next time, I want to try to capture that hot pink before it softens!

In the meantime, if you’re inspired to try your hand at dyeing with plants, I have a couple of classes coming up at the Handmakers Factory, an introduction to natural dyeing on October 11 and a collaborative class on indigo and shibori on November 15- I’ll be teaching the indigo component, showing how to establish and maintain an indigo vat, which Rosalind Slade will then use for her class on shibori. You can find out more over at Handmakers!

dyeing with soursob, argyle apple and chlorophyll

Hello! It’s been ages since I’ve posted here about dyeing… it’s been a really busy few months and we spent most of our end-of-year break painting our house, so neither dyeing nor writing about it have had much of a look-in… I’ve also got into the habit of posting photos on Instagram, which is so quick that I’ve realized it’s made the idea of writing an actual blog post overwhelming so I need to get back into the habit.

I ran another class on natural dyes in December, this time for the Handmakers Factory at the lovely Ink and Spindle studio in Kensington. I think I’ve said here before that I don’t consider myself a natural teacher but I feel really passionate about the need for good classes and skill-sharing so I push myself to get better at it. But I think perhaps that my love for plants and colour managed to override my nerves- teaching this class was an absolute joy!

This time, I included some basic sample sheets that participants could attach their samples to- it’s always so hard to remember what they are and how they were dyed so I thought it would be useful. Each one relates to a particular dye plant that we used on the day.

The first plant we dyed with was Oxalis pes-caprae (Soursob or Sourgrass), which is a widespread weed in Melbourne. I realize I need to start taking photos of the dye plants I use as an ID tool for the blog and classes but Soursob is small herb with a clover-like leaf and bright acid-yellow bell-shaped flowers in spring. I collected about 500gm of flowers in spring and then froze them for the classes I had later in the year (I find I get the same results with fresh or frozen flowers).

We poured hot water over about 2 handfuls of flowers and left them to soak for an hour while we did other things- heating  flowers too high or for too long can destroy or alter the dye compounds. We then strained the flowers out and placed the dyebath onto the stove on low and added two sets of samples of alum-mordanted yarn (wool, wool/ silk and bamboo) and fabric (silk velvet, silk, coarse cotton and unbleached linen). We left them to heat for around 45 minutes and then took them off to cool. We then removed the fibers, put one set aside, added some washing soda to the dyebath (which changed the pH to alkaline and instantly turned from yellow to bright orange) and replaced the other set back into the bath. You can clearly see the difference in colours achieved from the different fibre types and pHs; interestingly, this plant seems to have more of an affinity with protein fibres, like silk and wool, whereas the cellulose fibres (especially the cotton) didn’t take up as much colour.

soursob
Soursob

Next up, we used Eucalyptus cinerea (Argyle Apple), which is found though the south-east of Australia and is often used as a landscape tree in streets. It yields far better colour when heated and cooled multiple times so I took it into the studio already soaked and heated over several days to maximize the depth of dye we could achieve. We simply brought it up to about 80C, then added a set of alum-mordanted yarn and fabrics and a piece of iron-mordanted yarn and took it off the heat to sit for 2 hours. I would have liked to keep it in the heat but my second stove refused to work on the day so we had to juggle pots! The dark brown yarn at the top right was iron-mordanted and took up colour very differently to the same yarn mordanted with alum.

euc
Eucalyptus cinerea

And we used chlorophyll as our last dye, as I wanted to demonstrate dyeing with a weed (Soursob), an indigenous landscape plant (Argyle Apple) and a vegetable and I couldn’t get hold of my favourite purple carrot (more on recent experiments with that next time). I sacrificed some of the chlorophyll extract from wonderful French natural dye house Renaissance Dyeing that I’ve been hoarding since my lovely friend Mel gave me a pack of them.  It’s produced from organically grown spinach and nettles and was very simple to work with, giving us lovely, soft green, that most elusive of colours when it comes to natural dyes!

chlorophyll
Chlorophyll

As I said, it was such a joy to teach this class and I think everyone got a lot of confidence to get out and try dyeing with natural materials, which is mostly what people need, as it’s actually pretty simple! If you are keen to learn about the process in a hands-on session, I have some classes coming up at the Handmakers Factory, the first one at the beginning of February- you can find all the details here. I’m also playing with the idea of running a class on how to get 25 (or more) colours from one dyebath, so let me know if that sounds like something you’d be keen to do.

new beginnings in work

As many of you know, for a bunch of reasons, I’ve needed to focus a lot of energy on things happening around me and to people close to me for a good year or more. It’s left me deeply exhausted with no energy to undertake anything really new or challenging, especially anything that relies on my own impetus and momentum… I just haven’t had any! I’ve struggled with that and found it really hard to find the balance between surrendering to the process (which is essential and absolutely what I have wanted and needed to do) and maintaining a sense of myself and my own purpose. I’ve also found that, when something terrible happens to someone you love, it can be hard to feel ok about putting energy into good things, about making new beginnings when they may have only endings. This is only my experience up to this point… I hope that others experience and see it differently and I am sure many of those terminally ill would tell me I am wrong in feeling the way I have. When Michelle wrote beautifully about this recently, she reminded me of the need for hope and beauty in the face of darkness. I think I still have a lot to learn about life.

And so I am making some new beginnings. Today I start at Sunspun, the best little yarn shop in town! My friend Amy recently took over this lovely old girl and, while the the best and most beautiful aspects of the shop will endure, she’s gradually making some great changes. I get to work with very beautiful yarn and great friends and to meet a whole new group of knitters- I couldn’t be more thrilled… Come and say hello to us sometime soon! This new position means that I’ll no longer be on the floor at Morris and Sons (though I’ll still be teaching there most Saturday afternoons) and I’m really quite sad to say goodbye to my community there- it’s been 4 1/2 years and everyone is like family!! However, this knit community of ours is a small one and I think we’ll be seeing each other for sure… and the change will ultimately be a good thing for me.

I’m also working towards putting out there the colourwork cowls (non-knitters: read neckwarmers!) that I’ve been making recently. I’ve been wanting to do this for a while and I finally have the space and energy to set up and run a little online shop. See the shop tab on my header?! It isn’t connected to my bigcartel shop yet, but it will be very soon!

This cowl design is a simple, double-layer tube made on my hand-operated vintage knitting machine. The rectangle works really well as a canvas for colourwork patterns,  all inspired by botanical shapes, naturally! The shape and size mean that it sits comfortably around the neck and the double layer keeps the warmth in and the wind out.

Red on blue

Deco Fern in jasper: marlin colourway

Jasper on Marlin

Deco Fern in jasper: marlin colourway

Several commissions for a good friend Amanda has given me the kickstart I needed to get moving on these. Anyone who knows Amanda will immediately recognize her colour palette- grey on grey on grey! I’ll be working with a much wider range of colours in lambswool for mine but I really loved working with Amanda’s colours and luxury fibres- cashmere and mink!

Snow cowl

Snow cowl

Snow cowl: detail

Snow cowl: detail

Honeycomb cowl

Deco Fern cowl

Honeycomb cowl

Banksia cowl

Honeycomb cowl: detail

Banksia cowl: detail

So, as well as working on some new classes for the Craft Sessions, that’s a fair bit of new! Wish me luck with it all… I’m feeling super excited but a bit overwhelmed too.