Category Archives: knitting and yarn

edinyarnfest

Ah, what a weekend! Such a lovely whirlwind and I’m still recovering… I don’t have enough words (or photos) to describe it but highlights included:

1.  Setting up for and getting through my first ever show (please excuse the dodgy photos!)…

Stall

Stall with the sign that my lovely friend Ella made for me before we headed overseas

Stall

Naturally-dyed yarns to show people what they can learn in my dyeing workshops

Colourwork cowls

Colourwork cowls

Colourwork cowl

Colourwork cowl

Because of the light and my dodgy camera skills, I didn’t manage to get any good photos of the pouches that I made for knitters tool or small projects. Here are a few that I took beforehand instead!

Tool pouches made from worn-out Harris tweed jackets

Tool pouches made from worn-out Harris tweed jackets

Harris tweed pouches

Pouches made from worn-out Harris tweed jackets

2.  Meeting many, many folk of varying fibre persuasion, from newbie spinner and knitting-trip-to-Nepal-organizer to university lecturer to some of my biggest knit crushes… heavenly! But again, sorry but no photos- no time and social inhibitions! Thanks so much to all who made me feel welcome in this new home of mine- it was lovely to see the same, familiar faces over the weekend as we are getting so used to not knowing anyone in Glasgow ; )

3.  Finding myself in a room of 200+ knitters and feeling like I was part of that scene in Roald Dahl’s The Witches-  you know the one where the protagonist gets trapped with a huge roomful of witches who, once the doors are shut, all sigh with relief and pull off their wigs and give in to their inner witch nature? I’ve been around a lot of knitters in my time but this was something else!

4.  Listening to some wonderful sheep and other knit recordings, care of Felix of Knitsonik– she’s wonderful!

6.  Hearing people talk so lovingly about their products, animals, area of expertise or community. So much love in the building.

5.  Having a couple of very quick wanders around the marketplace to enjoy other stallholders wares. I especially enjoyed visiting Helene Magnusson and Susan Crawford and talking to other newbies doing it for the first time…

Helene Magnusson's beautiful colourwork mitten

Helene Magnusson’s beautiful colourwork mitten

Wonderful colourwork from Susan Crawford

Wonderful colourwork from Susan Crawford

Exquisite Stoffoli dolls

Exquisite Steiner dolls and kits from new Edinburgh maker, Stoffoli

5.  And, finally, picking out a few treasures for me! There were so many yarns that I would have loved to try, from local dyer Lilith of Old Maiden Aunt to Baaramewe’s Titus to the Finnish strong yarn Ohut Pirkkalanka…  but I have my limits! Here’s my haul:

Hebridean/ Shetland from Ripples Craft

Hebridean/ Shetland from Ripples Craft

Acadia, given to me by the very lovely TFC owner Daphne to try running through the machine

Acadia, given to me by the very lovely TFC owner Daphne to try running through the machine

Brooks Blend from my yarn crush John Arbon textiles: Polwarth, Alpaca and Zwartbles!

Brooks Blend DK from my yarn crush John Arbon textiles: Polwarth, Alpaca and Zwartbles!

And some heavenly oatmeal laceweight North Ronaldsay, from those seaweed-eating sheep!

And some heavenly oatmeal laceweight from those seaweed-eating North Ronaldsay sheep!

All in all, a brilliant, exhilarating and exhausting weekend! I can’t wait for next year. (Oh, and I’m going to be launching my little online shop next week with some cowls and pouches to follow so keep an eye out if you’re interested!

woolful, edinyarnfest and the craft sessions

I’d like to send out a massive thank you to everyone who has left a comment here- and on Instagram, Twitter and, of course, in person!- in support and encouragement of our move overseas… It has meant a huge amount to me and I’ll be carrying you all with me when we head off at the end of January. Gee, the world certainly feels like a small place with the whole SM circus, doesn’t it?!

Just a few updates: if you haven’t already twigged to the joys of Ashley Yousling’s Woolful podcast, you need to check it out. This super smart and resourceful young woman is changing the way many of us see the yarn that we knit with and the fibre craft community that we are part of by opening up fascinating conversations with fibre people; from small scale to commercial, she’s talking to those involved in producing fibre (spinners, dyers, shearers, yarn companies…) and to those who use it (designers, craftspeople, artists…). I think these conversations will continue in yarn shops, at kitchen tables, in colleges and at fibre events around the world…  A new episode is released each Tuesday and I was thrilled and very honoured to talk to Ashley as part of this week’s episode, mostly about natural dyeing and dye plants but our conversation meandered through many areas of fibre love! You can find all the eps over at Wooful. Oh, and Ashley and her family is also building a fibre mill in Idaho- I can’t wait to see what comes out of that place!

I mentioned in my last post that I am building up a stock of colourwork cowls to take with me to Scotland-  well, I’ve signed up for a booth at the Edinburgh Yarn Festival in mid-March! It’ll be my first time selling my work in this kind of setting and I’m excited and a little anxious at the same time… But, at the very least, I’m looking at it as a great chance to meet and connect with the local knitting community. So, as well as packing up the house and catching up with loved ones, I’m going to have a busy 6 weeks of making!

And, lastly, it was bittersweet teaching my very last Melbourne class at Sunspun this week. It was great to finally run Fibre and Yarn 101, which was inspired by years of questions from customers about how to choose the best yarn for a project and why some yarn substitutions just don’t seem to work. I think my students left with a clearer picture of how different natural fibres behave and why different types of processing result in very different yarns and how to anticipate and work with that. But I’m really not sure whether there’ll be much opportunity for teaching in Scotland- perhaps natural dyeing will be the way to go, as teaching knitting there feels like teaching my grandmother to suck eggs! I’ll just have to wait and see and, in the meantime, will be so happy to take lots of classes to soak up as much of the local knowledge and tradition. But I wanted to let you know that I will be returning in September to teach at the Craft Sessions. It’s such a beautiful event that I don’t want to miss it and it also gives me a chance to bring back and share techniques and skills picked up over there. And, of course, to spend time with my family and friends. So it won’t be that long between cups of tea!

So that’s all my news for now. Have a lovely weekend!

purple carrot revisited

I recently dyed with purple carrots for the third time and got such different results from the first and second times that it got me reflecting on the variables that might have led to those differences… which I thought some of you dyers might have some thoughts on or just find it interesting. Can you see what I mean?

Varying results

Varying results

The two balls to the bottom right were my first experiment; this is Shetland yarn reclaimed from a jumper, mordanted with alum and cream of tartar and dyed with a bottle of out-of-date organic purple carrot juice someone was throwing out. I thought I’d have a try so I topped the pan up with warm water, added the yarns and slowly raised the temperature to around 70C, held it there for around 45 minutes. I loved the dusty pinks it produced…

Heat-dyed

Heat-dyed

Then I moved on to fresh carrots, the ones that aren’t just purple on the outside (they don’t give you any real colour) but that are purple-black all the way though. I put them through the juicer and then added the pulp back into the juice and divided it in half; it seems that juicy materials like berries, vegetables and soft roots give clearer colours without too much heat so I had an idea that solar dyeing might be a good approach to take. I divided the goopey juice in half and put half in a saucepan with a skein of organic merino yarn, again mordanted in alum and CT, slowly raised the temperature to around 70C and held it there for around 45 minutes. The first skein in the photo below was the result of heating: mauve- grey.

I then poured the rest into a big glass jar with a skein of the same and another of reclaimed wool/ angora, added enough warm water to cover the yarn and left the jar in the sun on my black compost bin for two weeks. Over that time, we had a few days around 25C but plenty of overcast days so the jar wouldn’t have got super hot. The second and third skeins were the result of solar dyeing: bright purple and mauve!

First solar dye

First solar dye

And then, recently, I rediscovered some old purple carrots that I’d bought to have a play with but had never gotten around to using; despite being a few months old, they were still fine, just a little hairy! Like before, I juiced and recombined them and repeated the solar process but, this time, left the juice outside for a week before I added silk fabrics, wool/ silk yarn and white and grey yarn (as always, mordanted with alum and CT). I then left the jar for a week, with similar temperatures to last time.

After one hour immersed in the liquid, the silk velvet looked crazy pink:

An hour after adding fibre to the jar

An hour after adding fibre to the jar

The silk fabrics and yarn were all a beautiful dusty pink after a week but the white and grey wool picked up NO DYE AT ALL! What is that about?!

Second solar dye

Second solar dye

I know that certain dyes have affinities with particular fibres but I’ve never seen wool not pick up any colour where silk has. And, from the first solar dye, I know that wool will pick up purple carrot. The fibres were all mordanted together. So, to me, the only variables are the silk and the fact that the fibres weren’t added straight to the jar. Is it possible that the silk absorbed the dye compounds so quickly that the wool didn’t have a chance? Seems unlikely to me… So could the week between processing and adding the fibres be the reason? It makes me want to dig out my chemistry books and find out what could possibly affect the structure of the dye compounds to lead to this?

I’d love to hear any thoughts!

And, next time, I want to try to capture that hot pink before it softens!

In the meantime, if you’re inspired to try your hand at dyeing with plants, I have a couple of classes coming up at the Handmakers Factory, an introduction to natural dyeing on October 11 and a collaborative class on indigo and shibori on November 15- I’ll be teaching the indigo component, showing how to establish and maintain an indigo vat, which Rosalind Slade will then use for her class on shibori. You can find out more over at Handmakers!

new beginnings in work

As many of you know, for a bunch of reasons, I’ve needed to focus a lot of energy on things happening around me and to people close to me for a good year or more. It’s left me deeply exhausted with no energy to undertake anything really new or challenging, especially anything that relies on my own impetus and momentum… I just haven’t had any! I’ve struggled with that and found it really hard to find the balance between surrendering to the process (which is essential and absolutely what I have wanted and needed to do) and maintaining a sense of myself and my own purpose. I’ve also found that, when something terrible happens to someone you love, it can be hard to feel ok about putting energy into good things, about making new beginnings when they may have only endings. This is only my experience up to this point… I hope that others experience and see it differently and I am sure many of those terminally ill would tell me I am wrong in feeling the way I have. When Michelle wrote beautifully about this recently, she reminded me of the need for hope and beauty in the face of darkness. I think I still have a lot to learn about life.

And so I am making some new beginnings. Today I start at Sunspun, the best little yarn shop in town! My friend Amy recently took over this lovely old girl and, while the the best and most beautiful aspects of the shop will endure, she’s gradually making some great changes. I get to work with very beautiful yarn and great friends and to meet a whole new group of knitters- I couldn’t be more thrilled… Come and say hello to us sometime soon! This new position means that I’ll no longer be on the floor at Morris and Sons (though I’ll still be teaching there most Saturday afternoons) and I’m really quite sad to say goodbye to my community there- it’s been 4 1/2 years and everyone is like family!! However, this knit community of ours is a small one and I think we’ll be seeing each other for sure… and the change will ultimately be a good thing for me.

I’m also working towards putting out there the colourwork cowls (non-knitters: read neckwarmers!) that I’ve been making recently. I’ve been wanting to do this for a while and I finally have the space and energy to set up and run a little online shop. See the shop tab on my header?! It isn’t connected to my bigcartel shop yet, but it will be very soon!

This cowl design is a simple, double-layer tube made on my hand-operated vintage knitting machine. The rectangle works really well as a canvas for colourwork patterns,  all inspired by botanical shapes, naturally! The shape and size mean that it sits comfortably around the neck and the double layer keeps the warmth in and the wind out.

Red on blue

Deco Fern in jasper: marlin colourway

Jasper on Marlin

Deco Fern in jasper: marlin colourway

Several commissions for a good friend Amanda has given me the kickstart I needed to get moving on these. Anyone who knows Amanda will immediately recognize her colour palette- grey on grey on grey! I’ll be working with a much wider range of colours in lambswool for mine but I really loved working with Amanda’s colours and luxury fibres- cashmere and mink!

Snow cowl

Snow cowl

Snow cowl: detail

Snow cowl: detail

Honeycomb cowl

Deco Fern cowl

Honeycomb cowl

Banksia cowl

Honeycomb cowl: detail

Banksia cowl: detail

So, as well as working on some new classes for the Craft Sessions, that’s a fair bit of new! Wish me luck with it all… I’m feeling super excited but a bit overwhelmed too.

finished ursula, willamette and celes

You’d be forgiven for thinking that this little place has swapped from knitting blog to dye blog… not that I mean to limit it to just one topic, but it has been pretty dye-heavy recently. That’s mostly because, along with my dye sample book, it works well as a log for dyeing experiments, rather than because of a lack of knitting.

This is my version of the Ursula Cardigan from Kate Davies’ Colours of Shetland

Ursula

Ursula

Ursula

Ursula

Ursula

Ursula

I chose muted colours very different to Kate’s fresh, clear palette; it makes sense for hers to be worked in spring colours because it would be a spring cardigan in Scotland, whereas it’s definitely more suited to winter for me here in Melbourne. The colours make it something I can wear every day with dark jeans… but also make me want to break out of my regular uniform and make myself a grey tweed skirt to wear with it!

I can’t say enough good things about this pattern! Kate has combined traditional knitting techniques with beautiful and thoughtful details and great pattern-writing to create a beautiful and well-fitting garment. I changed mine to a v-neck and I’m really happy with the outcome- it looks nice done up and open on me. The only thing I’d  do differently next time would be to go down a needle size or two, just for the mid-torso, to add a bit of waist definition. It’s a bit blocky as is and I need all the definition I can get as any extra weight goes straight to my belly ; )

Ravelled here.

Next up is Willamette from Amy Christoffers

Willamette

Willamette

Willamette

Willamette

Amy is super cool and has a background in fine art; I think you can really see that in her designs, which merge super-wearable shapes with beautiful details and textures. This jacket is so snug and warm but also feels kinda smart in a very organic, “Japanese” way ; )  It’s getting quite a bit of wear and will definitely be keeping me warm at Bendigo this Sunday. I love that tweed stitch pattern…

Ravelled here.

And lastly, Celes from Jared Flood

Celes

Celes

Celes

Celes

Amy and I started knitting this scarf/ shawl together this time last year, just after she had her little boy Finn… needless to say, she had more important things to do and never got around to finishing it! I got all the way through the body and 3/4 of the way around the knitted-on edging and then ran out of yarn… yes, like many others commented on ravelry, the metrage listed for this pattern is short. It was the first time I’ve run out of a discontinued colourway and really not known how to proceed- distressing ; ) And so it sat unfinished until recently, when I decided to just go ahead with the closest colour I could find to this unusual, yellow-based grey. I’d much rather embrace imperfection than never finish it. You can see the different colour on the edging in the first photo… I can live with that. The pattern is inspired by traditional Shetland lace patterns and definitely lacier than what I’d normally wear but I think the grey tones that down and makes it wearable for me…

Ravelled here.

So that’s my knitting of late. Soon to come off the needles will be Scatness Tunic, another colourwork pattern from Colours of Shetland and again in very different colours to the original.

What are you knitting at the moment?