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australian garden

After a few days lazing about at home (not camping as we had hoped but, instead, watching beautiful films and knitting) we actually managed to catch the final day of the Eucalypt Festival at the Australian Garden in Cranbourne today! I’ve been meaning to get back there after visiting with uni just before it opened- and, in my book anyway, any festival celebrating trees is a reason to get out into the sunshine…

Buds

Opening

Unfurling

Uncurling

Full glory; riotous colour

The garden is an ongoing project within the Royal Botanic Gardens Cranbourne (the arm of the RBG dedicated to all species native to Australia) and will eventually cover a huge total of 20 acres- all exploring the hugely diverse and striking flora of Australia. That is exciting enough in itself but what makes this project even more exciting is the format for the garden; it is one of a number of gardens here (like the Children’s Garden and Wigandia) that I find really beautiful and intriguing, not only because are they completely in keeping with our larger landscapes, but because they are engaging, innovative and adaptive.

Entry to the garden; the big red heart of the continent

Stage 1 of the garden was opened to the public in 2006 and marks the beginning of the visitors journey through the garden, encompassing the red desert that forms the heart of Australia (in a giant piece of art comprising of red earth, saltbush and curving sand dunes) and the birth of a river in the gorges and caves of the desert and its journey towards the coast and ocean. The garden is grounded in the plant world but is also full of metaphor, history, culture and education, which I think makes it accessible and enjoyable for many more people than just plant nerds like me ; )

Allusions to desert salt lakes and scrub?

A hundred thousand plants, from over thousand species, were planted just in Stage 1 alone, including a thousand mature trees, the oldest of which- Xanthorrhoea or grass trees have been alive for nearly half a millenium.

Grevillea flowers

Yellow Kangaroo Paw; see bottom right for likeness to its namesake

Senna artemesioides

Acacia cardiophylla growing its little flowers

Leptospermum fruit; 12mm diameter

Banksia sp.; amazing geometry

The numerous different areas within the garden are divided quite formally and tap into themes of innovative and interesting uses for Australian plants, water management, our human need for gardens and what they represent to us and Australia’s botanical history, both before and after white settlement.

Although the design incorporates strong, straight lines in parts, my overriding impression was of curves; the shapes in the garden remind me a lot of Roberto Burle Marx‘s work- a pleasure for me because I really love his gardens.

Curves of grey foliage

Lovely hedge shapes

In the four years since my last visit, the garden has grown up a lot! The trees have started to enclose and divide different areas and create shade and shelter, and most plantings have established themselves successfully, although the fluctuations in temperature and rainfall has meant that a few areas are in need of some rethinking. I was amazed to learn that one person was (is) responsible for the enormous job of plant selection- wow.

Stage 2: BIG construction site

Stage 2 is currently under construction and should be completed by early 2012. I can’t wait to see what they’re creating in there…

We also had the good fortune to meet some wee creatures….

Bearded dragon

Thorny belly; foot in pocket

One juicy stick insect! See her vestigial wings crossed over?

I have never worked out if I am a ‘big picture’ person or a ‘details’ person… but writing this blog is gradually bringing to my attention that I almost always notice and take photos of the small things. I guess I must be a ‘details’ person after all… so I apologize for the lack of perspective shots of this incredible garden- you’ll just have to visit the garden yourself : ) And I’ll try to remember to step back a bit next time I visit.

Beautiful eucalypt buds

samples 3

My new favourite pattern.

Leaves

Or is it this way up?

Scales; tiles; shingles

I love it either way. The photos really don’t do justice to the colours of this beautiful Portuguese yarn, a warm natural and a complex heath green.

Meme 35 laceweight singles from Portugal

But hopefully you get the picture.

The shade cards for the yarn I’d like to use for my colourwork idea arrived and I have poring over them…

Blues

So many to choose from that it is kind of baffling. I’m finding the process similar to creating a garden- far easier if you have a some parameters to work within because a blank canvas can be overwhelming. I do have some clear parameters but the process is definitely making me define where I want to go with this- questions like, how willing and confident am I to trust my own sense of colour and pattern? Do I have the diligence to work carefully and consistently through the process and can I broaden my vision to see what will really work, rather than just get distracted or disabled by the glut of choices? And, if this is something I want to produce to sell, how much do I follow my own colour choices and how much should fashions in colour influence me? This process is such a great thing for me because I can be a bit of a dreamer! So, now to make the final choices… ; )

autumn walk

We went walking out at Werribee Gorge this morning. This was my first visit to the gorge in many years and I was reminded of what an incredibly beautiful place it is. Recognized in the 1880’s  for its geological importance, the area was reserved as a public park and for the preservation of geological features in 1907 (quite early in Australia’s land conservation movement)- not only for it’s beauty but because five hundred million years of geological history (from ancient folded sea-bed sediments to glacial material to relatively recent lava flows) were slowly revealed by the cutting action of the Werribee River… and are still on show for all to see.

Gorge face

Cave

Tiny wee beach

In the 1930’s, the Water Commission installed a concrete channel on the northern side of the river, to capture stormwater runoff to supply water to the neighbouring township of Bacchus Marsh. No longer in use but still capturing rain, it looks just like a rill from a 1930’s garden, a slightly surreal but lovely sight in a natural landscape like this!

Rill ang gorge

Although it is said that there is no dramatic and visible change in our vegetation from season to season, what I saw today- the overall feel of the landscape- completely changed my opinion on that.

The dominant colours were rust and grey.

Lichen on Dodonea

 

Sweet little herb- anyone know what this is?

Seedheads, Dodonea viscosa

Shedding Red Ironbark

Grasses were also on show. Anyone who loves Piet Oudolf‘s work would recognize the potential of these beauties for use in landscape design.

Sun-bleached Themeda triandra

Seedheads twisting, Stipa sp.

And we met a lovely little moth.

My, what handsome antennae you have!

Beautiful place. You should visit it.

samples 1

The first of a series of posts (mostly photos) on some knitted samples I am making for an idea I have.

The first six

I am not particularly conscientious about sampling for handknitting, although I do do it- though only for jumpers and the like. I have even got into the habit of washing and blocking my swatches, a very grown-up habit. But for this, I am really into it! Looking at patterns and their rhythms, as well as tension and the ideal fabric for this project, is beautiful, and the fact that the samples are done on my vintage knitting machine means that the whole process is actually viable time-wise…

(For those not familiar with them, these motifs are part of a massive collection of pattern cards put out by knitting machine card manufacturers over the last fifty or so years. The whole concept is amazing, as the cards are multipurpose and can be used for a number of different stitches- inevitably, I got stuck on their application on colourwork, because I am mad on patterns and colour, but they are equally beautiful when used in slip, tuck and weave. One of my knitting machine heroes, the lovely, patient and generous Christine, inherited a huge box of them, many very old, and let me rummage through- and man, was I in heaven.

So I am working my way through the pile of the most promising cards, making swatches using the ends of balls and shades that I don’t want to use for anything else. Which means that the colours in the samples are not what I imagine for the end product and that I end up with a motley, disparate collection of swatches. But it feels good to use all those small odds and ends. Makes room for the many colours I’ll be bringing into the little room, if all goes well.

Recycled shetland and lambswool yarn

Noro waves

Deco-inspired

Pyramids

I’d love to know if there are any patterns that you particularly like or dislike… Or colour combinations that do or might work for you. A little bit of market research. And a warning- there’ll be more in the next little while so please be patient with me- very excited!

flax and linen

This is a beautiful and informative short film on the production of flax and linen… I saw it a little while ago on Lena Corwin’s blog and was transfixed. Around the same time, I was given a skein of Swedish laceweight linen. I have sewn with linen but never knitted with it… so it should be a lovely new thing to try, either on the needles or on my machine. Hmmm…